phreakmented surreality

This film was made in the context of the NANOYOU project. http://www.nanoyou.eu

Scenario: A Saturday, during a shopping afternoon, Aurelia falls into a space-time crack and lives an experience that she still tells her friends about. Bending a street, she comes face to face with her own image and realizes that a stylistic matrix is now governing the world of fashion...

Technology: RFID tracking, tactile screens, Augmented Reality: an interface of virtual testing, world data base of the clothes produced by the textile industry.

Values: Seize the day

Critique: With this film film-makers stand against standardization and against the mass consumption culture. For a greener planet and against global warming.

Rear Window is the thesis project of artists Mike Lawrie and Jon Friis for the New Media program of the School of Image Arts at Ryerson University (Canada). It's a re-imagining of the classic Hitchcock film where viewers will take the part of the film's protagonist.

1024 architecture is a company created by Pier SCHNEIDER and François WUNSCHEL, both co-founders of the EXYZT collective. 1024 architecture focuses on the interaction between body, space, sound, visual, low-tech and hi-tech, art and architecture…

more: http://www.1024architecture.net/en/2010/02/euphorie-2/

 

 

 

 

Tish Shute wrote: “Here is the “world premier” of the ARWave demo …  Below are the slides from our panel: The Next Wave of AR: Exploring Social Augmented Experiences, with Anselm Hook presenting on “10 reasons Why Ar Not a Flash in the Pan,”  Jeremy Hight, spoke on “Augmenting the Map,”  Sophia Parafina presented on “Citizen Sensor,” and I presented the “ARWave” project. These slides are also posted on the Where 2.0 site.  Joe Lamantia was unable to come from Europe due to last minute obstacles, but you can check out his slide deck here. The videos of the Where 2.0 keynotes are up, and I highly recommend watching what went on at this watershed event.” More here >>